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Which One of the Following Statements Does Not Describe a Characteristic of Modern Art?

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Artistic works produced during the period extending roughly from the 1860s to the 1970s

This article is nigh art produced from the 1860s to the 1970s. For fine art produced from the 1940s to the present, come across gimmicky art.

Modern art includes artistic work produced during the flow extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era.[1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.[2] Modern artists experimented with new ways of seeing and with fresh ideas well-nigh the nature of materials and functions of fine art. A trend away from the narrative, which was characteristic for the traditional arts, toward brainchild is characteristic of much modern art. More recent creative production is often called contemporary art or postmodern art.

Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the offset of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and effigy paintings that the critics called Fauvism. Matisse'south ii versions of The Dance signified a key point in his career and in the development of modern painting.[3] It reflected Matisse's incipient fascination with primitive art: the intense warm colour of the figures confronting the cool bluish-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

At the start of 20th-century Western painting, and initially influenced by Toulouse-Lautrec, Gauguin and other late-19th-century innovators, Pablo Picasso fabricated his first Cubist paintings based on Cézanne'southward idea that all depiction of nature tin be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon (1907), Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with v prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism was jointly developed past Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, good by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Constructed cubism is characterized by the introduction of dissimilar textures, surfaces, collage elements, papier collé and a big variety of merged discipline matter.[4] [v]

The notion of modern fine art is closely related to modernism.[a]

History [edit]

Roots in the 19th century [edit]

Although modern sculpture and compages are reckoned to have emerged at the end of the 19th century, the ancestry of modern painting can be located earlier.[7] The appointment possibly most commonly identified as marking the birth of modernistic art is 1863,[vii] the year that Édouard Manet showed his painting Le déjeuner sur l'herbe in the Salon des Refusés in Paris. Before dates take likewise been proposed, among them 1855 (the year Gustave Courbet exhibited The Artist's Studio) and 1784 (the yr Jacques-Louis David completed his painting The Oath of the Horatii).[7] In the words of fine art historian H. Harvard Arnason: "Each of these dates has significance for the development of mod art, but none categorically marks a completely new first .... A gradual metamorphosis took place in the course of a hundred years."[7]

The strands of thought that eventually led to modern fine art tin can be traced back to the Enlightenment.[b] The important mod art critic Clement Greenberg, for example, chosen Immanuel Kant "the kickoff real Modernist" only also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."[9] The French Revolution of 1789 uprooted assumptions and institutions that had for centuries been accepted with little question and accustomed the public to vigorous political and social argue. This gave rise to what art historian Ernst Gombrich called a "self-consciousness that made people select the manner of their building as i selects the blueprint of a wallpaper."[10]

The pioneers of modern art were Romantics, Realists and Impressionists.[xi] [ failed verification ] By the late 19th century, additional movements which were to be influential in modern fine art had begun to sally: post-Impressionism and Symbolism.

Influences upon these movements were varied: from exposure to Eastern decorative arts, particularly Japanese printmaking, to the coloristic innovations of Turner and Delacroix, to a search for more realism in the depiction of mutual life, every bit constitute in the piece of work of painters such equally Jean-François Millet. The advocates of realism stood confronting the idealism of the tradition-bound bookish art that enjoyed public and official favor.[12] The about successful painters of the twenty-four hours worked either through commissions or through large public exhibitions of their ain piece of work. In that location were official, government-sponsored painters' unions, while governments regularly held public exhibitions of new fine and decorative arts.

The Impressionists argued that people do not see objects just only the light which they reflect, and therefore painters should paint in natural light (en plein air) rather than in studios and should capture the effects of light in their piece of work.[13] Impressionist artists formed a group, Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs ("Clan of Painters, Sculptors, and Engravers") which, despite internal tensions, mounted a serial of independent exhibitions.[xiv] The style was adopted by artists in different nations, in preference to a "national" fashion. These factors established the view that it was a "movement". These traits—institution of a working method integral to the art, establishment of a movement or visible agile core of support, and international adoption—would be repeated by creative movements in the Modern period in art.

Early 20th century [edit]

Amid the movements which flowered in the first decade of the 20th century were Fauvism, Cubism, Expressionism, and Futurism.

During the years between 1910 and the end of Earth War I and after the heyday of cubism, several movements emerged in Paris. Giorgio de Chirico moved to Paris in July 1911, where he joined his brother Andrea (the poet and painter known every bit Alberto Savinio). Through his brother he met Pierre Laprade, a fellow member of the jury at the Salon d'Automne where he exhibited 3 of his dreamlike works: Enigma of the Oracle, Enigma of an Afternoon and Self-Portrait. During 1913 he exhibited his work at the Salon des Indépendants and Salon d'Automne, and his work was noticed by Pablo Picasso, Guillaume Apollinaire, and several others. His compelling and mysterious paintings are considered instrumental to the early ancestry of Surrealism. Song of Love (1914) is 1 of the nigh famous works past de Chirico and is an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.

World War I brought an end to this phase but indicated the starting time of a number of anti-art movements, such as Dada, including the work of Marcel Duchamp, and of Surrealism. Creative person groups like de Stijl and Bauhaus developed new ideas about the interrelation of the arts, compages, design, and art education.

Modernistic art was introduced to the U.s. with the Armory Bear witness in 1913 and through European artists who moved to the U.Southward. during World War I.

After World War 2 [edit]

It was but after World State of war Ii, nonetheless, that the U.S. became the focal indicate of new artistic movements.[15] The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Conceptual artists of Art & Language, Pop art, Op art, Hard-edge painting, Minimal fine art, Lyrical Abstraction, Fluxus, Happening, Video art, Postminimalism, Photorealism and various other movements. In the late 1960s and the 1970s, Land fine art, Performance art, Conceptual art, and other new fine art forms had attracted the attention of curators and critics, at the expense of more traditional media.[sixteen] Larger installations and performances became widespread.

By the end of the 1970s, when cultural critics began speaking of "the end of painting" (the title of a provocative essay written in 1981 by Douglas Crimp), new media art had go a category in itself, with a growing number of artists experimenting with technological means such as video art.[17] Painting assumed renewed importance in the 1980s and 1990s, as evidenced by the ascent of neo-expressionism and the revival of figurative painting.[18]

Towards the end of the 20th century, a number of artists and architects started questioning the idea of "the modern" and created typically Postmodern works.[19]

Art movements and artist groups [edit]

(Roughly chronological with representative artists listed.)

19th century [edit]

  • Romanticism and the Romantic movement – Francisco de Goya, J. G. Due west. Turner, Eugène Delacroix
  • Realism – Gustave Courbet, Camille Corot, Jean-François Millet, Rosa Bonheur
  • Pre-Raphaelites – William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti
  • Macchiaioli – Giovanni Fattori, Silvestro Lega, Telemaco Signorini
  • Impressionism – Frédéric Bazille, Gustave Caillebotte, Mary Cassatt, Edgar Degas, Armand Guillaumin, Édouard Manet, Claude Monet, Berthe Morisot, Pierre-Auguste Renoir, Camille Pissarro, Alfred Sisley
  • Post-impressionism – Georges Seurat, Paul Cézanne, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, Henri Rousseau, Henri-Jean Guillaume Martin, Albert Lebourg, Robert Antoine Pinchon
  • Pointillism – Georges Seurat, Paul Signac, Maximilien Luce, Henri-Edmond Cross
  • Divisionism – Gaetano Previati, Giovanni Segantini, Pellizza da Volpedo
  • Symbolism – Gustave Moreau, Odilon Redon, Edvard Munch, James Whistler, James Ensor
  • Les Nabis – Pierre Bonnard, Édouard Vuillard, Félix Vallotton, Maurice Denis, Paul Sérusier
  • Art Nouveau and variants – Jugendstil, Secession, Modern Fashion, Modernisme – Aubrey Beardsley, Alphonse Mucha, Gustav Klimt,
  • Art Nouveau architecture and design – Antoni Gaudí, Otto Wagner, Wiener Werkstätte, Josef Hoffmann, Adolf Loos, Koloman Moser
  • Early Modernist sculptors – Aristide Maillol, Auguste Rodin

Early on 20th century (earlier World State of war I) [edit]

  • Abstract art – Francis Picabia, Wassily Kandinsky, František Kupka, Robert Delaunay, Sonia Delaunay, Léopold Survage, Piet Mondrian, Kazimir Malevich, Hilma af Klint
  • Fauvism – André Derain, Henri Matisse, Maurice de Vlaminck, Georges Braque, Kees van Dongen
  • Expressionism and related – Die Brücke, Der Blaue Reiter – Ernst Ludwig Kirchner, Wassily Kandinsky, Franz Marc, Egon Schiele, Oskar Kokoschka, Emil Nolde, Axel Törneman, Karl Schmidt-Rottluff, Max Pechstein
  • Cubism – Pablo Picasso, Georges Braque, Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay, Henri Le Fauconnier, Marcel Duchamp, Jacques Villon, Francis Picabia, Juan Gris
  • Futurism – Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Natalia Goncharova, Mikhail Larionov
  • Orphism – Robert Delaunay, Sonia Delaunay, František Kupka
  • Suprematism – Kazimir Malevich, Alexander Rodchenko, El Lissitzky
  • Synchromism – Stanton Macdonald-Wright, Morgan Russell
  • Vorticism – Wyndham Lewis
  • Sculpture – Constantin Brâncuși, Joseph Csaky, Alexander Archipenko, Raymond Duchamp-Villon, Jacques Lipchitz, Ossip Zadkine, Henri Laurens, Elie Nadelman, Chaim Gross, Chana Orloff, Jacob Epstein, Gustave Miklos
  • Photography – Pictorialism, Direct photography

World War I to World War II [edit]

  • Dada – Jean Arp, Marcel Duchamp, Max Ernst, Francis Picabia, Kurt Schwitters
  • Surrealism – Marc Chagall, René Magritte, Jean Arp, Salvador Dalí, Max Ernst, Giorgio de Chirico, André Masson, Joan Miró
  • Expressionism and related: Chaim Soutine, Abraham Mintchine
  • Pittura Metafisica – Giorgio de Chirico, Carlo Carrà, Giorgio Morandi
  • De Stijl – Theo van Doesburg, Piet Mondrian
  • New Objectivity – Max Beckmann, Otto Dix, George Grosz
  • Figurative painting – Henri Matisse, Pierre Bonnard
  • American Modernism – Stuart Davis, Arthur G. Dove, Marsden Hartley, Georgia O'Keeffe
  • Constructivism – Naum Gabo, Gustav Klutsis, László Moholy-Nagy, El Lissitzky, Kasimir Malevich, Vadim Meller, Alexander Rodchenko, Vladimir Tatlin
  • Bauhaus – Wassily Kandinsky, Paul Klee, Josef Albers
  • Scottish Colourists – Francis Cadell, Samuel Peploe, Leslie Hunter, John Duncan Fergusson
  • Social realism – Grant Wood, Walker Evans, Diego Rivera
  • Precisionism – Charles Sheeler, Charles Demuth
  • Boychukism - Mykhailo Boychuk, Sofiya Nalepinska-Boychuk, Ivan Padalka, Vasily Sedlyar
  • Sculpture – Alexander Calder, Alberto Giacometti, Gaston Lachaise, Henry Moore, Pablo Picasso, Julio Gonzalez

After Earth War 2 [edit]

  • Figuratifs – Bernard Cafe, Jean Carzou, Maurice Boitel, Daniel du Janerand, Claude-Max Lochu
  • Sculpture – Henry Moore, David Smith, Tony Smith, Alexander Calder, Isamu Noguchi,[20] Alberto Giacometti, Sir Anthony Caro, Jean Dubuffet, Isaac Witkin, René Iché, Marino Marini, Louise Nevelson, Albert Vrana
  • Abstract expressionism – Joan Mitchell, Willem de Kooning, Jackson Pollock, Arshile Gorky, Hans Hofmann, Franz Kline, Robert Motherwell, Clyfford Still, Lee Krasner,
  • American Abstract Artists – Ilya Bolotowsky, Ibram Lassaw, Ad Reinhardt, Josef Albers, Burgoyne Diller
  • Art Brut – Adolf Wölfli, August Natterer, Ferdinand Cheval, Madge Gill
  • Arte Povera – Jannis Kounellis, Luciano Fabro, Mario Merz, Piero Manzoni, Alighiero Boetti
  • Color field painting – Barnett Newman, Mark Rothko, Adolph Gottlieb, Sam Francis, Morris Louis, Kenneth Noland, Jules Olitski, Helen Frankenthaler
  • Tachisme – Jean Dubuffet, Pierre Soulages, Hans Hartung, Ludwig Merwart
  • COBRA – Pierre Alechinsky, Karel Appel, Asger Jorn
  • Conceptual fine art – Art & Language, Dan Graham, Lawrence Weiner, Bruce Nauman, Daniel Buren, Victor Burgin, Sol LeWitt
  • De-collage – Wolf Vostell, Mimmo Rotella
  • Neo-Dada – Robert Rauschenberg, Jasper Johns, John Chamberlain, Joseph Beuys, Lee Bontecou, Edward Kienholz
  • Figurative Expressionism – Larry Rivers, Grace Hartigan, Elaine de Kooning, Robert De Niro, Sr., Lester Johnson, George McNeil, Earle Thousand. Pilgrim, Jan Müller, Robert Beauchamp, Bob Thompson
  • Feminist Art — Eva Hesse, Judy Chicago, Barbara Kruger, Mary Beth Edelson, Ewa Partum, Valie Consign, Yoko Ono, Louise Conservative, Cindy Sherman, Kiki Smith, Guerrilla Girls, Hannah Wilke
  • Fluxus – George Maciunas, Joseph Beuys, Wolf Vostell, Nam June Paik, Daniel Spoerri, Dieter Roth, Carolee Schneeman, Alison Knowles, Charlotte Moorman, Dick Higgins
  • Happening – Allan Kaprow, Joseph Beuys, Wolf Vostell, Claes Oldenburg, Jim Dine, Reddish Grooms, Nam June Paik, Charlotte Moorman, Robert Whitman, Yoko Ono
  • Dau-al-Set – founded in Barcelona by poet/artist Joan Brossa, – Antoni Tàpies
  • Grupo El Paso [es; ca; pl] – founded in Madrid by artists Antonio Saura, Pablo Serrano
  • Geometric abstraction – Wassily Kandinsky, Kazimir Malevich, Nadir Afonso, Manlio Rho, Mario Radice, Mino Argento, Adam Szentpétery
  • Hard-edge painting – John McLaughlin, Ellsworth Kelly, Frank Stella, Al Held, Ronald Davis
  • Kinetic art – George Rickey, Getulio Alviani
  • Land fine art – Ana Mendieta, Christo, Richard Long, Robert Smithson, Michael Heizer
  • Les Automatistes – Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron
  • Minimal art – Sol LeWitt, Donald Judd, Dan Flavin, Richard Serra, Agnes Martin
  • Postminimalism – Eva Hesse, Bruce Nauman, Lynda Benglis
  • Lyrical brainchild – Ronnie Landfield, Sam Gilliam, Larry Zox, Dan Christensen, Natvar Bhavsar, Larry Poons
  • Neo-figurative fine art – Fernando Botero, Antonio Berni
  • Neo-expressionism – Georg Baselitz, Anselm Kiefer, Jörg Immendorff, Jean-Michel Basquiat
  • Transavanguardia – Francesco Clemente, Mimmo Paladino, Sandro Chia, Enzo Cucchi
  • Figuration libre – Hervé Di Rosa, François Boisrond, Robert Combas
  • New realism – Yves Klein, Pierre Restany, Arman
  • Op art – Victor Vasarely, Bridget Riley, Richard Anuszkiewicz, Jeffrey Steele
  • Outsider fine art – Howard Finster, Grandma Moses, Bob Justin
  • Photorealism – Audrey Flack, Chuck Shut, Duane Hanson, Richard Estes, Malcolm Morley
  • Popular art – Richard Hamilton, Robert Indiana, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol, Ed Ruscha, David Hockney
  • Postwar European figurative painting – Lucian Freud, Francis Salary, Frank Auerbach, Gerhard Richter
  • New European Painting – Luc Tuymans, Marlene Dumas, Neo Rauch, Bracha Ettinger, Michaël Borremans, Chris Ofili
  • Shaped canvas – Frank Stella, Kenneth Noland, Ron Davis, Robert Mangold.
  • Soviet fine art – Aleksandr Deyneka, Aleksandr Gerasimov, Ilya Kabakov, Komar & Melamid, Alexandr Zhdanov, Leonid Sokov
  • Spatialism – Lucio Fontana
  • Video art – Nam June Paik, Wolf Vostell, Joseph Beuys, Beak Viola, Hans Breder
  • Visionary fine art – Ernst Fuchs, Paul Laffoley, Michael Bowen

Notable modern fine art exhibitions and museums [edit]

Republic of austria [edit]

  • Leopold Museum, Vienna

Belgium [edit]

  • SMAK, Ghent

Brazil [edit]

  • MASP, São Paulo, SP
  • MAM/SP, São Paulo, SP
  • MAM/RJ, Rio de Janeiro, RJ
  • MAM/BA, Salvador, Bahia

Colombia [edit]

  • Bogotá Museum of Modern Fine art (MAMBO)

Croatia [edit]

  • Ivan Meštrović Gallery, Split
  • Modern Gallery, Zagreb
  • Museum of Contemporary Art, Zagreb

Ecuador [edit]

  • Museo Antropologico y de Arte Contemporaneo, Guayaquil
  • La Capilla del Hombre, Quito

Finland [edit]

  • EMMA, Espoo
  • Kiasma, Helsinki

French republic [edit]

  • Château de Montsoreau-Museum of Gimmicky Fine art, Montsoreau
  • Lille Métropole Museum of Mod, Contemporary and Outsider Art, Villeneuve d'Ascq
  • Musée d'Orsay, Paris
  • Musée d'Art Moderne de la Ville de Paris, Paris
  • Musée National d'Art Moderne, Paris
  • Musée Picasso, Paris
  • Museum of Mod and Contemporary Art, Strasbourg
  • Musée d'art moderne de Troyes

Germany [edit]

  • documenta, Kassel, an exhibition of mod and contemporary art held every 5 years
  • Museum Ludwig, Cologne
  • Pinakothek der Moderne, Munich

India [edit]

  • Centre of International Modern Fine art [Wikidata] (CIMA),[21] Kolkata
  • National Gallery of Modern Fine art, New Delhi
  • National Gallery of Modern Art, Mumbai
  • National Gallery of Modern Fine art, Bangalore

Iran [edit]

  • Museum of Contemporary Art, Tehran

Ireland [edit]

  • Hugh Lane Gallery, Dublin
  • Irish Museum of Mod Art, Dublin

Israel [edit]

  • Tel Aviv Museum of Art

Italy [edit]

  • Palazzo delle Esposizioni
  • Galleria Nazionale d'Arte Moderna
  • Venice Biennial, Venice
  • Palazzo Pitti, Florence
  • Museo del Novecento, Milan

Mexico [edit]

  • Museo de Arte Moderno, México D.F.

Netherlands [edit]

  • Van Gogh Museum, Amsterdam
  • Stedelijk Museum, Amsterdam

Norway [edit]

  • Astrup Fearnley Museum of Modern Art, Oslo
  • Henie-Onstad Art Centre, Oslo

Poland [edit]

  • Museum of Art, Łódź
  • National Museum, Kraków

Qatar [edit]

  • Mathaf: Arab Museum of Modern Art, Doha

Romania [edit]

  • National Museum of Contemporary Art, Bucharest

Russia [edit]

  • Hermitage Museum, Saint Petersburg
  • Pushkin Museum, Moscow
  • Tretyakov Gallery, Moscow

Serbia [edit]

  • Museum of Contemporary Art, Belgrade

Spain [edit]

  • Museu d'Art Contemporani de Barcelona, Barcelona
  • Museo Nacional Centro de Arte Reina Sofía, Madrid
  • Thyssen-Bornemisza Museum, Madrid
  • Institut Valencià d'Fine art Modernistic, Valencia
  • Atlantic Middle of Mod Art, Las Palmas de Gran Canaria
  • Museu Picasso, Barcelona.
  • Museo Picasso Málaga, Málaga.

Sweden [edit]

  • Moderna Museet, Stockholm

Taiwan [edit]

  • Asia Museum of Modern Art, Taichung

Uk [edit]

  • Estorick Collection of Modern Italian Art, London
  • Saatchi Gallery, London
  • Tate Britain, London
  • Tate Liverpool
  • Tate Modern, London
  • Tate St Ives

Ukraine [edit]

  • National Art Museum of Ukraine, Kyiv
  • Andrey Sheptytsky National Museum of Lviv, Lviv

The states [edit]

  • Albright-Knox Art Gallery, Buffalo, New York
  • Fine art Plant of Chicago, Chicago, Illinois
  • Governor Nelson A. Rockefeller Empire State Plaza Fine art Collection, Albany, New York
  • Guggenheim Museum, New York Metropolis, New York, and Venice, Italy ; more recently in Berlin, Germany, Bilbao, Spain, and Las Vegas, Nevada
  • High Museum, Atlanta, Georgia
  • Los Angeles County Museum of Art, Los Angeles, California
  • McNay Art Museum, San Antonio, Texas
  • Menil Collection, Houston, Texas
  • Museum of Fine Arts, Boston, Massachusetts
  • Museum of Modernistic Fine art, New York City, New York
  • San Francisco Museum of Modern Art, San Francisco, California
  • The Bakery Museum, Naples, Florida
  • Walker Art Center, Minneapolis, Minnesota
  • Whitney Museum of American Art, New York City, New York

Encounter also [edit]

  • 20th century fine art
  • 20th-century Western painting
  • Art manifesto
  • Art movements
  • Art periods
  • Conceptual fine art
  • Gimmicky fine art
  • Gesamtkunstwerk
  • History of painting
  • Listing of 20th-century women artists
  • List of mod artists
  • Mod architecture
  • Modernism
  • Postmodern art
  • Western painting

Notes [edit]

  1. ^ "I way of understanding the relation of the terms 'modern,' 'modernity,' and 'modernism' is that artful modernism is a form of art characteristic of high or actualized tardily modernity, that is, of that flow in which social, economic, and cultural life in the widest sense [was] revolutionized by modernity ... [this means] that modernist art is scarcely thinkable outside the context of the modernized society of the late nineteenth and twentieth centuries. Social modernity is the dwelling of modernist art, even where that art rebels against it." — Lawrence E. Cahoone[half dozen]
  2. ^ "In the seventeenth and eighteenth centuries momentum began to gather behind a new view of the world, which would eventually create a new world, the modern world." — Lawrence Eastward. Cahoone[8]

References [edit]

  1. ^ Atkins 1997, pp. 118–119.
  2. ^ Gombrich 1995, p. 557.
  3. ^ Clement 1996, p. 114.
  4. ^ Scobie 1988, pp. 103–107.
  5. ^ John-Steiner 2006, p. 69.
  6. ^ Cahoone 1996, p. 13.
  7. ^ a b c d Arnason & Prather 1998, p. 17.
  8. ^ Cahoone 1996, p. 27.
  9. ^ Greenberg 1982, p. 5.
  10. ^ Gombrich 1995, p. 477.
  11. ^ Arnason & Prather 1998, p. 22.
  12. ^ Corinth et al. 1996, p. 25.
  13. ^ Cogniat 1975, p. 61.
  14. ^ Cogniat 1975, pp. 43–49.
  15. ^ Saunders 2013.
  16. ^ Mullins 2006, p. 14.
  17. ^ Mullins 2006, p. 9.
  18. ^ Mullins 2006, pp. 14–15.
  19. ^ Jencks 1987, p.[ page needed ].
  20. ^ Lander 2006.
  21. ^ Times of Bharat Travel 2015.

Sources [edit]

  • Arnason, H. Harvard; Prather, Marla (1998). History of modern art : painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN978-0-8109-3439-nine. OCLC 1035593323 – via Internet Annal.
  • Atkins, Robert (1997). Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords (2d ed.). New York: Abbeville Printing Publishers. ISBN978-0-7892-0415-eight. OCLC 605278894 – via Cyberspace Archive.
  • Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology . Cambridge, Mass: Blackwell Publishers. ISBN978-ane-55786-602-8. OCLC 1149327777 – via Cyberspace Archive.
  • "CIMA Art Gallery". Times of India Travel. 2015-06-30. Retrieved 2021-06-12 .
  • Clement, Russell (1996). Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis. Westport, Conn: Greenwood Press. ISBN978-0-313-29752-half dozen. OCLC 34191505.
  • Cogniat, Raymond (1975). Pissarro. New York: Crown Publishers. ISBN978-0-517-52477-0. OCLC 2082821.
  • Corinth, Lovis; Schuster, Peter-Klaus; Vitali, Christoph; Butts, Barbara; Brauner, Lothar; Bärnreuther, Andrea (1996). Lovis Corinth. Munich; New York: Prestel. ISBN978-3-7913-1682-6. OCLC 35280519.
  • Greenberg, Clement (1982). "Modernist Painting". In Frascina, Francis; Harrison, Charles; Paul, Deirdre (eds.). Modernistic Art and Modernism: A Critical Album . In association with the Open up University. London: Harper & Row. ISBN978-0-06-318234-ix. OCLC 297414909 – via Net Archive.
  • Gombrich, Ernst H. (1995). The Story of Fine art . London: Phaidon Printing Limited. ISBN978-0-7148-3355-ii. OCLC 1151352542 – via Internet Archive.
  • Jencks, Charles (1987). Post-Modernism: The New Classicism in Art and Compages . New York: Rizzoli. ISBN978-0-8478-0835-9. OCLC 1150952960 – via Inernet Annal.
  • John-Steiner, Vera (2006). "Patterns of Collaboration among Artists". Artistic Collaboration. Oxford Academy Press. pp. 63–96. doi:x.1093/acprof:oso/9780195307702.003.0004. ISBN978-0-nineteen-530770-ii. OCLC 5105130725, 252638637.
  • Lander, David (November–Dec 2006). "Fifties Piece of furniture THE SIDE TABLE AS SCULPTURE". Shopping. American Heritage. American Association for Land and Local History. 57 (6). ISSN 2161-8496. OCLC 60622066. Archived from the original on 2007-10-20.
  • Mullins, Charlotte (2006). Painting people : figure painting today. New York: D.A.P./Distributed Art Pubs. ISBN978-1-933045-38-2. OCLC 71679906.
  • Saunders, Frances Stonor (2013-06-14) [1995-ten-22]. "Mod fine art was CIA 'weapon'". The Independent . Retrieved 2021-04-17 .
  • Scobie, Stephen (1988). "The Attraction of Multiplicity: Metaphor and Metonymy in Cubism and Gertrude Stein". In Neuman, South. C.; Nadel, Ira Bruce (eds.). Gertrude Stein and the Making of Literature. London: Palgrave Macmillan Britain. doi:10.1007/978-i-349-08541-5_7. ISBN978-ane-349-08543-nine. OCLC 7323640453 – via Internet Archive.

Farther reading [edit]

  • Adams, Hugh (1979). Modernistic Painting . New York: Mayflower Books. ISBN978-0-8317-6062-five. OCLC 691113035 – via Internet Archive.
  • Childs, Peter (2000). Modernism . London New York: Routledge. ISBN978-0-203-13116-ix. OCLC 48138104 – via Cyberspace Archive.
  • Crouch, Christopher (1999). Modernism in Fine art, Pattern and Architecture . New York: St. Martin's Printing. ISBN978-0-312-21830-0. OCLC 1036752206 – via Internet Archive.
  • Dempsey, Amy (2002). Art in the Modern Era: A Guide to Schools and Movements. New York: Harry Due north. Abrams. ISBN978-0-8109-4172-iv. OCLC 47623954.
  • Everdell, William (1997). The Outset Moderns: Profiles in the Origins of Twentieth-Century Idea . Chicago: University of Chicago Printing. ISBN978-0-226-22484-8. OCLC 45733213 – via Cyberspace Archive.
    See besides: The First Moderns.
  • Frazier, Nancy (2000). The Penguin Concise Dictionary of Art History. New York: Penguin Reference. ISBN978-0-fourteen-051420-9. OCLC 70498418.
  • Hunter, Sam; Jacobus, John G; Wheeler, Daniel (2005). Mod Art: painting, sculpture, architecture, photography (3rd ed.). Upper Saddle River, NJ: Prentice Hall. ISBN978-0-13-150519-iii. OCLC 1114759321.
  • Kolocotroni, Vassiliki; Goldman, Jane; Taxidou, Olga, eds. (1998). Modernism: An Anthology of Sources and Documents . Edinburgh; Chicago: Edinburgh University Press; The University of Chicago Printing. ISBN978-0-585-19313-7. OCLC 1150833644, 44964346 – via Internet Annal.
  • Ozenfant, Amédée; Rodker, John (1952). Foundations of Mod Art . New York: Dover. ISBN9780486202150. OCLC 1200478998. Retrieved 2021-04-nineteen – via Internet Annal.
  • Read, Herbert Edward; Read, Benedict; Tisdall, Caroline; Feaver, William (1975). A Concise History of Modern Painting . New York: Praeger Publishers. ISBN978-0-275-71730-eight. OCLC 741987800, 894774214, 563965849 – via Internet Archive.

External links [edit]

  • Tate Modern
  • The Museum of Modern Art
  • Mod artists and art
  • A Fourth dimension Athenaeum Collection of Mod Art'due south perception
  • National Gallery of Modern Art – Govt. of India

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Source: https://en.wikipedia.org/wiki/Modern_art

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